I said to myself, I have things in my head that are not like what anyone has taught me -- shapes and ideas so near to me -- so natural to my way of being and thinking that it hasn't occurred to me to put them down. I decided to start anew, to strip away what I had been taught...I found I could say things with colors that I couldn't say in any other way -- things that I had no words for.
Georgia O'Keeffe
I have to attribute what I've done these past few years to these words of Georgia O'Keeffe...some time ago...oh, I think around 1990, I went back to making art after not making art for a bit of time...I never really stopped, but I wasn't getting anywhere seriously with it. I wasn't really looking and seeing anything that I wanted to see...I spent a lot of time copying pictures from photos that I took or copying something someone else wanted me to do (I did several portraits of pets, mostly cats). I bought the book Georgia O'Keeffe: Art and Letters at a bookshop during a Sunday afternoon prowl with my Fred and proceeded to read it cover to cover and felt that special "tug" toward inspiration...well, that was around 1992 or so...it has been a lot of years of sloping various paint forms, making piles of pastel dust, and several volumes of sketchbooks full of inspiration before I came to these two little drawings using colors and textures, shapes and lines that I never knew how to translate from my mind to paper...until now. (I also took a couple of years off from making pictures to write my first three novels.) These things take time and patience...I've studied both...and I'm still learning what to do with what I have...
Georgia O'Keeffe: Art and Letters by Georgia O'Keeffe
My review
rating: 5 of 5 stars
I found this book during a Sunday afternoon bookstore prowl in the early 1990's, probably around 1992 or so...I read it cover to cover and found my way back to making art the way I wanted to make art, but I had to go through a lot of paper and canvas, paint and pencils before I really got to the core of what I wanted to make...it's a fascinating read and powerful, especially for the artist...
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